Wresting control from the central bureaucracy is key.
The Pacifica Foundation--the first and foremost community-based, progressive
radio network in the United States--is managed by a top-heavy bureaucracy
that produces only 1.5 hours a day of programming. Centralized financial
controls give the national office a strong power base that foundation
management and a board clique used to attempt to shut down and reprogram
KPFA this past summer. And while Pacifica has avoided the obvious pitfall
of on-air corporate underwriting, funding from the Corporation for
Public Broadcasting has proved to be an Achilles heel. As we fight
to reclaim free speech radio, we need to take a close look at the way
money is handled in the network and how the sources of that money shape
Pacifica's direction. Keeping Pacifica stations independent and community-based
means keeping the network's financing and governance free of corporate
and government control.
Follow the Money
As it stands, all funds, including listener contributions, are collected
by the national Pacifica office and then doled out to the five stations.
Ousted KPFA general manager Nicole Sawaya told the California legislature's
joint legislative audit committee that "the increasing amount
of money taken directly and indirectly from the station to support
decreasing national programming and inefficient centralized financial
and administrative services" is a "misuse of a public trust." She
also said that station managers don't even get enough financial information
from the national office to adequately plan and manage their spending.
This system allows the central office to play a shell game with income
and expenses that keeps its own spending unaccounted for.
The oft-mentioned 17 percent of listener contributions siphoned off KPFA
are only part of the story. The national office also takes 69 percent
of the proceeds from sales of the five Pacifica stations' sideband frequencies
(an additional part of the licensed radio signal that can be sold to others
for uses such as broadcasting preprogrammed background music or technical
data), which amounted to $587,268 in 1998, and 73 percent of the stations'
miscellaneous income ($346,586), including 100 percent of the payments
made by affiliates for programming services. By Pacifica's own accounting,
the national office's $2.6 million total take amounted to a staggering
26 percent of the organization's revenue in 1998. And because some costs
hidden in local budgets actually are national office expenses, the true
percentage is even higher.
Of the $2.6 million, only about $900,000 made it back to listeners in
the form of salaries for Pacifica's two national programs, Democracy
Now and Pacifica Network News.
Pacifica has not released its annual report for fiscal year 1999, which
ended Sept. 30, but spurred by the threat of subpoena from the legislative
audit committee, Pacifica Executive Director Lynne Chadwick has admitted
that in 1999, her office authorized the expenditure of an additional $500,000
on the futile attempt to "reprogram" KPFA using armed guards
and publicity hacks. Add legal fees for fighting off Local Advisory Board
participation, expenses in setting up satellite equipment on the East
Coast to take the feed for affiliates away from KPFA, rental of alternate
space for the national office, and other costs, and the total cost of
the attack on KPFA is likely to be close to $1 million. To put this in
perspective, the entire KPFA operation--22.5 hours of programming, seven
days a week--spent $2.4 million (including $400, 000 paid to the central
office) in 1998.
CPB-Pacifica Bureaucracies:Symbiotic Parasites
In 1998, Pacifica took in more than $1 million from the Corporation for
Public Broadcasting. That money theoretically is allocated to each of
the stations, but, like all other funds, it is collected by the national
office, and its threatened loss was key to this year's drama.
Until recently, Pacifica's board was elected by the five local advisory
boards, which then selected up to five additional at-large members. In
1997, national management's proposal to eliminate the local boards' right
to elect national board members failed to win a board majority. A "compromise" was
agreed upon that upped the at-large membership to nine. After a still-undisclosed
series of communications between then–Pacifica Executive Director
Pat Scott, the president of the CPB, Robert Coonrod, stepped forward with
a new interpretation of a 17-year-old CPB guideline that implied that
local advisory board members had a conflict of interest if they simultaneously
served on the national board.
As the board debated how to elect its members, Coonrod and his quasi-governmental
agency intervened at critical moments in the First Amendment–protected
media organization's internal decision-making process with threatening
letters and memos. One in the days immediately prior to the board's February
meeting threatened that the CPB would immediate withhold its next payment
if the board didn't change its form of governance. This threat persuaded
some Pacifica board members to drop the last vestige of resistance to
disenfranchising the local advisory boards. It also led--at least in part--to
the firing of Sawaya, who called the national management's bluff when
asked to propose cuts at KPFA in case the CPB funding was lost. Rather
than ax local programming, Sawaya proposed that cuts be made to the bloated
national administrative budget.
Government Interference
In responding to legislative audit committee chair Scott Wildman's (D–Glendale)
request that she testify, Chadwick offered yet another of her brilliant
P.R. gems, which went sadly unnoticed in the flood of scandalous material
revealed at the hearing. She said she refused to testify because she has
always stood against "undue political interference with public broadcasting" and
cherishes the KPFA and Pacifica tradition of "independent noncommercial
broadcasting, free from unnecessary intrusion by governmental and political
bodies." Admirable sentiments, but yet another example of the Orwellian
doublespeak for which the current Pacifica management is becoming famous.
In reality, Chadwick and board chair Mary Frances Berry have repeatedly
tried to use government authority to force their agenda on the Pacifica
stations. They called on a Justice Department official to pressure the
Berkeley police to increase enforcement against peaceful protesters, turned
over thousands of email and voicemail messages to the police, and most
crucially, aided and abetted the CPB in using its financial leverage to
change Pacifica's bylaws to weaken the local advisory boards. Furthermore,
Berry is a government appointee whose conflict of interest was brought
into sharp relief when KPFA station staff filed civil rights complaints
with the government agency she heads, the U.S. Commission on Civil Rights.
While Berry and some of the board members who back her represent a sort
of residual Democratic party liberalism that is often more palatable than
the Jesse Helms wing of the government (which led earlier attempts to
squelch Pacifica), the fact is, they are part of a political current that
runs all the executive agencies of the U.S. government. And this current
is in no way compatible with a free-speech community radio network founded
by pacifists--a network that has opposed every war the United States has
ever participated in, including those supported by Democrats.
And based on their professional associations, it's reasonable to believe
that some board members are acting from a position farther to the right.
Pacifica Board member Ken Ford works for the lobbying group the National
Association of Home Builders. At the February 1999 meeting, he invited
the board to tour the U.S. Information Agency's propaganda station Radio
Free Asia because its digital facilities "are the future of radio." Board
member Michael Palmer is a Houston real estate broker whose clients include
the notorious polluter Waste Management Inc. and anti-labor firms like
Diamond Shamrock and Hormel Foods. He wants to get advice from Wall Street,
NPR/CPB, and Microsoft about new directions for Pacifica. He's also the
leading public proponent of selling KPFA.
A station sale is the ultimate in undemocratic funding strategies, and
despite vague promises by Berry that she won't do it right now, it's still
on the table. With $60-100 million (the amount KPFA would probably fetch)
to burn, the network would no longer have to rely mainly on listener contributions,
and the problem of listeners' ability to shape programming would simply
disappear. An unaccountable bureaucracy and board, now self-appointing,
could dictate by fiat whatever programming they desired. Stations with
grassroots community broadcasting traditions that are difficult to control
from a central office would be a thing of the past.
Reclaiming Local Control
Financial accountability and local control of finances
will strengthen and diversify local and national programming.
Democratizing the flow of revenue and the power to authorize expenses
will be central to reclaiming Pacifica. If the approximately $1.5 million
spent in 1998 to support the non-programming portion of the central office
were turned over to programmers--in the studios and on the streets--an
explosion of quality and diversity would result. This would be far more
likely to draw new listeners than the national board's plan to turn the
station into jukebox radio, as the current regime has done in Houston,
or strip-programming it into predictability so that "drive time" is
always delivered by the same host and with a conventional "professional" sound,
as the national management has attempted to do at all the Pacifica stations.
With Pacifica's technology base, there is no need to centralize programming
in a national office. In a reconstituted Pacifica, cutting the national
bureaucracy would not mean cutting off programming such as Democracy Now,
which is produced at WBAI in New York and could easily be funded by a
revenue-sharing arrangement among the stations. Nor would it mean cutting
off Pacifica Network News, which could find a home at WPFW in Washington,
D.C. By rooting national programming in the local stations, Pacifica could
build capacity at its bases while distributing information to the widest
possible audience.
Returning the power of the purse strings to the local stations would
make it much more likely that excellent locally produced programming such
as KPFA's Flashpoints and John Martinez's documentaries on the
Chicano movement for KPFK in Los Angeles could reach the national audience
they deserve. It would also mean that a relatively low-budget station
such as KPFT in Houston could receive funding to produce regular programming
on subjects of national importance--U.S.-Mexico border issues, for example.
As we work to reclaim the Pacifica network, activists should also be
laying the groundwork for increasing KPFA and Pacifica's diversity of
support. Undertakings such as joint KPFA and community benefits in a wide
spectrum of venues, from hip-hop clubs in downtown Oakland to college
campuses in Fresno; webcasts of programming that can't be squeezed into
the 24 hours available on FM radio; and strengthening the apprenticeship
program so that more of its graduates become full-time employees will
help engage the loyalties of people who can play the role of listener-sponsors
for the next 50 years.
Because if one thing is clear, it's that the difficult economic challenge
of doing without CPB funding is on the horizon. As the former head of
Radio Marti, a U.S. Information Agency propaganda project that broadcasts
anti-Communist Miami Cubans' views into Cuba, CPB President Coonrod is
unlikely to support maintenance and development of Pacifica's traditionally
oppositional reporting. And the drive to corporatize and privatize public
radio is well established within the CPB. Any new Pacifica leadership
will need to cut those ties as expeditiously as possible. To do otherwise
leaves a very wide door very wide open for future meddling in Pacifica's
decision-making processes.
In an email he conveniently sent to Media Alliance which led to the big
blow out this summer, Palmer said, "I was under the impression there
was support in the proper quarters, and a definite majority, for shutting
down that unit [KPFA] and reprogramming immediately." The open question
in the conflict between Pacifica national management and free-speech programmers
is just which 'quarters' inside and outside of government are lending
Palmer and his ilk their support.
Ben Clarke is director of editing and design at Media Alliance.
He has been listening to WBAI and KPFA since 1973.
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